Apples by Christos Nikou will be the Greek submission in the 93rd Academy Awards for the nominations in the category of Best international Feature Film, as announced by the Ministry of Culture and Sports. The film has been produced by the Greek production company Boo Productions (Dogtooth, Attenberg) and co-produced by the Polish production company Lava Films, the Musou Music Group and the Slovenian production company Perfo Productions. Apples is a co-production of the Greek Film Centre.
Apples has already been warmly received in international film festivals, such as the 77th Venice International Film Festival, where it had its world premiere, the 33rd Tokyo International Film Festival, the 33rd Tokyo Film Festival, the Telluride Film Festival and the 56th Chicago International Film Festival (where it was awarded the Silver Hugo-Best Screenplay award in the international feature film competition). The film is also competing in the 61st Thessaloniki International Film Festival (5-17/ 11/2020) in the International Competition section.
It is worth noting that Cate Blanchet supports the film as an executive producer, promoting it through Dirty Films production company.
Apples is a sensitive, humorous and visually interesting approach to the theme of identity in a dystopian world. The main character, who is depressed and suffering from amnesia, is in search of a new identity in order to fit in the community. Therefore, he is assigned routine tasks, which, as they are being carried out, seem to confuse him even more, since the new and unknown mingle with the familiar.
International Sales: Alpha Violet




Postal Address: Bouboulinas St. 20-22

Postal Code: Athens 106 82

Phone: 2131322619

FAX: 2108201434

Email: This email address is being protected from spambots. You need JavaScript enabled to view it.




Rel: The May 6th 2020 guidelines by the National Committee for the Protection of Public Health.


In accordance to the above decisions, we inform you with the following:

The COVID-19 pandemic in Greece has shown a significant recession, but the risk of focal resurgence is always present as well as the possibility of a new epidemic wave. The return to the new normality will be done in small steps, with both individual and public health and safety in mind. Predictions of how long the measures will remain in effect are not easy to make. It will depend on both domestic and international epidemiological data, along with the course of the epidemiological curve.

This document is based on the instructions and recommendations of the Commission COVID-19 experts of the Ministry of Health and provides instructions for safe conduct during filming.

Filming may resume on May 18, as long as the epidemiological curve allows and according to the country's epidemiological data.

a. Filming locations

  • Interior spaces should be well ventilated. As for air conditioning, only open circuit air conditioners are allowed for use.
  • Interior spaces should be disinfected with a 10:1 chlorine solution, i.e. 9-parts water and 1-part chlorine, before and after each shoot. This also applies to sanitary facilities. For surfaces that are likely to be damaged by use of sodium hypochlorite, ethanol solution 70% can be used.

Particular emphasis should be given to surfaces that are frequently touched such as knobs, switches, handrails etc.

  • In the shooting and rehearsal spaces etc. an antiseptic alcoholic solution (70%) should be provided.
  • In sanitary facilities the following hygienic rules should be followed:

- Proper ventilation

- Closed toilet seat lid before flushing

- Use of paper or plastic disposable toilet seat covers is recommended

- Provision of running water, soap supplies, paper towels, foot pedal waste container

- Use equipment with a photoelectric cell or foot switch (e.g. for tap, soap) where ever possible

- Hand dryers should not be used

- Queue with distances of 1.5 meters

- Use of non-medical masks is recommended

- In case the wash-basins have been out of use for a long time, running hot water for 5 minutes before the first use is recommended.

-Showers should not be used

  • Adequate space in locker rooms and dressing rooms should be provided, and costume change should only be made when absolutely necessary. In case not adequate space is available for everyone, the area should be used either in rotation or other available areas should be used as additional locker rooms/ dressing rooms. Personal clothes of cast and crew should be kept in sealed bags.

b. During filming

  • The rule of 1.5 meters’ distance in open spaces and 2 meters’ distance in interior spaces should be kept.
  • It is recommended to both cast and crew to use a protective non-medical mask or face shield and an antiseptic alcohol solution (70%), both during rehearsal and throughout the shooting, apart from those actors who appear in each scene.
  • Special care should be taken for cast and crew belonging to vulnerable groups.
  • Anyone who develops symptoms should be immediately removed from set wearing a mask.
  • All equipment should be disinfected in the way indicated by the manufacturer before being brought into the set.
  • If during the rehearsal or shooting it is required for actors to touch, they should disinfect their hands before and after the scene, and their contact should be as brief as possible. Also, scenes where the actor must touch the face of another actor should be avoided.
  • About costumes, wigs, makeup etc.:

- These should be used exclusively by the artists who wear them, and artists should be dressed by themselves.

- Personal clothing should be kept in sealed bags (see above) and costumes should be kept in separate garment bags.

- Costumes should be steam cleaned before and after each use.

- Dressers, hairdressers, etc. should also have enough workspace so that the distance of 1.5 meters can be kept.

- Ideally, artists should take care of their own make-up. In case this is not possible, a personal make-up set should be used for each artist, while following the individual safety instructions. The make-up station must be cleaned after each use. It is extremely important that one set is far from the other. Practically, nothing should be in common.

- Ideally, hairdressing items should not be common either.

- Professional hairdressers, make-up artists, costume designers, etc. should wear disposable gloves (which they should change before attending to every artist), as well as a non-medical mask every time they take care of an artist's appearance. In case the artist chooses to take care of his/her own appearance, they will have an advisory role, keeping their distance.

  • Only the necessary cast and crew should be present during shooting. Shooting schedule should be as flexible as possible, so that people are not crowded together.
  • For easier tracking, it is recommended to monitor incoming- outgoing people during rehearsals, as well as any potential symptoms they may have.
  • Temperature check is not recommended as it does not perform well as precautionary measure against spreading.
  • Used non-medical fabric masks should be placed in plastic bags, washed at 60 degrees, and ironed.
  • Lunch break should be organized in a space where safety distance of at least 1.5 meters can be observed, along with the hygiene rules. The space, tables and chairs should be disinfected before each use. Food should come in individual portions, in transparent food wrap. It should be distributed by personnel wearing personal protective equipment (gloves, masks) to avoid queueing. Water, soft drinks, etc. should be distributed in individual sealed packages. After lunch break, waste should be placed in special sealed packages and discarded.
  • Vehicles carrying personnel should be disinfected daily, before and after transfer.
  • Auditions are recommended to take place as much as possible via video conference or videotape.

These measures are indicative. They cannot cover all possible cases and apply in parallel with the broader measures in force. For this reason, there must be constant monitoring of the relevant developments through the website of the National Public Health Organization:

All parties involved should show the necessary individual responsibility, protecting themselves and other people. Production companies in particular should take every precaution to protect workers and take additional measures at their discretion which may be required due to specific features of a filming location or shoot.

Any additional details will be published in a relevant Joint Ministerial Decision that will follow.

General Secretary of Modern Culture

Nicholas Yatromanolakis


Exact Copy

Central Registry



Unofficial Translation by the HELLENIC FILM COMMISSION



Vote now for the nomination of the Hellenic Film Commission, ATHENS CITY


After the success of the second edition, where the island of Corfu in Greece was crowned best European Film location of 2018, EUFCN - the European Film Commissions Network announces the European Film Location Award 2019, created by EUFCN in collaboration with Cineuropa.

EUFCN consists of 96 members from 28 countries, which promote European locations and film industry.

This year as well each Film Commission member of the EUFCN had the opportunity to candidate a film location (a specific place used in films or TV Series in the last decade) from a film or TV Series shot between January and December 2018. All the movies and TV Series in competition needed to have an International distribution, meaning that needed to be distributed outside the Countries of origin.

The Hellenic Film Commission (HFC) of the Greek Film Centre (GFC) is pleased to announce that its nominated location is the city of Athens and the region of Attica, where the highly popular BBC TV Series produced by Ink Factory ΤΗΕ LITTLE DRUMMER GIRL directed by highly- acclaimed South Korean director Park Chan-wook was filmed. The city of Athens is among the 10 finalists of the EUFCN Location Award 2019. Part of ΤΗΕ LITTLE DRUMMER GIRL have been filmed in Athens and the outskirts of the region of Attica, city of Elefsina, cultural capital of Europe of 2020 and city of Kinetta. The Acropolis and the Temple of Poseidon, UNESCO protected monuments of Greece, where among the shooting locations.

“It has been an incredible experience to film ‘The Little Drummer Girl’ in the very locations de-scribed in John le Carré’s book. The immense privilege of shooting at such historically and cultur-ally important places such as the Acropolis or Temple of Poseidon cannot be understated. Greece, as the birthplace of Western drama, offers filmmakers a canvas of unique resonance and, for me, it is the perfect place to tell the story of Charlie (Pugh)”, says director Park Chan-wook, describing his experience of filming in Greece.

From November 14th until December 30th the audience has the chance to vote for the best location from among the 10 in the shortlist, by simply filling in the online form available on - for ATHENS:

And that’s not all: from among all the voters, EUFCN and Cineuropa will pick a winner who will have the chance to visit the winning location. The winner will benefit from 2 nights of accommodation for 2 people, which will be offered and used in agreement with the film commission of that area. We would be glad to host you in Athens.

Vote here

More info about the EUFCN here:

More info about the Hellenic Film Commission here (

More info about LITTLE DRUMMER GIRL filming in Greece here


In early summer 2019 Michael Winterbottom, the world-renowned and multi award-winning British film director, comes back to Greece to shoot the Sky One TV series The Trip to Greece choosing Greece as a filming destination for the second time within a year after he shot here his latest feature film titled Greed in autumn 2018.It isthe fourth part of the critically acclaimed TV series (The Trip, The Trip to Italy, The Trip to Spain) that gained worldwide recognition on the BBC (The Trip & The Trip to Italy) & Sky Atlantic (The Trip to Spain). The Trip series are also popular feature films in the US, Australia, and many other worldwide territories and have premiered in various international film festivals including Toronto Film Festival and the Sundance Film Festival.

It stars two of the most recognizable actors in the UK: Steve Coogan (BAFTA nominated for his portrayal of Stan Laurel in Stan & Ollie) and Rob Brydon (BAFTA nominated Actor & Comedian known for UK Productions such as Gavin & Stacey, Would I lie to you, Marion & Geoff).

The Trip to Greece takes as its inspiration Homer’s Odyssey and Odysseus’ journey back home to his family in Ithaca. The actors play fictionalized versions of themselves as they go on a six-day trip around the beautiful country of Greece. Being a culinary and cultural road trip, the aim of The Trip to Greeceis to show the actors enjoying some of the best that Greece has to offer in terms of culture, food and hospitality.  

The project includes a lot of shooting in archaeological sites such as the Temple of Apollo at Delphi, the Ancient Agora of Athens, the Ancient Theatre of Epidaurus, the unique island of Hydra, the Caves of Diros, Nestor’s Palace, Niokastro Fortress in Pylos, and Ancient Stagira, as well as a lot of shooting in restaurants and hotels in Athens, Hydra, Lesvos, Chalkidiki, Pelion, Kavala, and at the Peloponnese.

In each site issues such as the history of Athens and the development of Acropolis, Democracy and the idea of the Polis and the city-state in Greece, as well as the history and origin of Drama, Tragedy and Comedy will be discussed.

What Steve Coogan and Rob Brydon have to say about the comedies of Aristophanes and the great tragedies of Aeschylus, Sophocles and Euripides along their way? About the Temple of Apollo, the functioning of the Oracle and the importance of The Pythia over the course of 1000 years of Greek history? About Democracy vs Tyranny? About Plato’s account of the death of Socrates? About the Athenian and the Peloponnese war?

The Trip to Greece is a Sky original andwill be shown on Sky One in the UK and will be released as a feature film worldwide in 2020. Produced by Melissa Parmenter & Josh Hyams, the production companies are Revolution films, Baby Cow and SmallMan Productions. International sales of the film are handled by Tristan Whalley at Goalpost. Distribution in Greece will be through Filmtrade.

The Location Manager for The Trip to Greece is Eleni Fanariotou (her company is Fixer in Greece). The crew consists of 5 core Greek crew members and 15 crew members from the UK.

The Hellenic Film Commission of the Greek Film Centre attended the shoot at the Ancient Agora of Athens, and had the chance to get interesting quotes about the experience of filming in Greece.

We discussed where we would go after Spain and Italy and Greece came up because of the obvious very rich Greek mythology and philosophy. But, also because of modern politics there’s another dynamic now. Some people in the UK find something inspiring in this challenge in the status quo, challenging the way things have always been. Rob and I play with the idea of who we are. We will be talking about each other and self-indulgent stuff like who we fancy etc. It’s a vehicle for Rob and I to explore ourselves as middle-aged men in middle life crisis and also the culture and mood of another country. And in Greece we want to look at Democracy, Greek mythology, Greek philosophy, the politics of modern Greece -which is interesting in regards to Europe -, and also Britain’s relationship to Europe. We ask big questions, but also the simple questions in life in relation to the big questions. And we eat real food in the restaurants, from very high-end menu to simple restaurants; it’s an exploration of the culinary side of Greece”, Steve Coogan starring The Trip to Greece commented to Venia Vergou, Director of the Hellenic Film Commission.

“Spending a month in Greece was the most magical experience and we saw so much of it! The beauty and variety of the landscape, the food, the incredible cultural heritage and the wonderful crystal clear seas. I’ll never forget my time there”, Rob Brydon starring The Trip to Greece stated to Hellenic Film Commission.

Venia and the whole team at the Hellenic Film Commission have worked tirelessly alongside our wonderful Location Manager Eleni Fanariotou of Fixer In Greece, and the Ministry of Culture and Sports and Ministry of Digital Policy, to help us secure all our permits for such incredible archaeological sites here in Greece - we are very grateful and thrilled to have had such wonderful support”, notes Melissa Parmenter, PRODUCER

The Hellenic Film Commission of the Greek Film Centre supported The Trip to Greece by providing guidance to the production company and by facilitating the filming permits for the archaeological sites requested for filming by the Hellenic Ministry of Culture and Sports.

The Greek Film Centre (GFC) will provide 10 scholarships (covering for 100% of the tuition fees) for the Greek filmmakers (producers, production managers, DoP's and post-production managers/supervisors) participation at the Digital Production Challenge (DPC II) that will run from 28 November-1 December in Athens.

The DPC II approach is hands-on, offering participants personalized expertise to overcome the real-time challenges they are encountering on the projects they have brought to the workshop. The workshop offers technical solutions via intriguing case studies, expert panel discussions and group sessions to overcome workflow dilemmas. So even if you don’t attend the workshop with a project, you will leave primed with the skills and tools to manage future workflow. The experts will explain the step-by-step process of decision-making, on set and during post-production, guiding participants in terms of delivery materials and media archiving.

The GFC is not involved in the process of candidate selection and evaluation, for which DPC II is solely responsible.

Application Deadline: November 6, 2018

Application form, here.

More info about DPC II, here.

THE DURRELLS season 4, the highly popular ITV and PBS mini TV series, completed filming in Corfu island in Greece on October 11, after 33 shooting days. All previous seasons of the series have been filmed in Corfu island including Corfu old town, one of the eighteen (18) UNESCO protected monuments of Greece. See more here.

“Copa-Loca”, the short film by Christos Massalas has qualified for the Oscars 2019 and is the only short film representing Greece this year.

The film received Oscar-Qualifying awards at Festival Nouveau Cinema in Montreal and Leeds International Film Festival.

Following its premiere at the Cannes Film Festival, Directors’ Fortnight 2017, “Copa-Loca” screened at over 100 film festivals, including Clermont-Ferrand, Sarajevo, AFI Fest and Reykjavik. The film also screened at MoMA for New Directors/New Films.

Among its many accolades, “Copa-Loca” was nominated for the European Film Award and won the Greek Academy Award 2018.

Christos Massalas was born in Greece, 1986. He studied Filmmaking at the London Film School. He is currently preparing his debut feature titled “Broadway”, which was selected for the Sundance Lab.



Writer/Director: Christos Massalas
Director of Photography: Konstantinos Koukoulios
Starring: Elsa Lekakou, Jenny Hiloudaki, Pavlos Iordanopoulos, Talat Iqbal, Stathis Stamoulakatos, Michalis Pitidis, Fotis Stratigos, Nadia Katsoura, Panos Iosifidis, George Ramantanis, Jon Simvonis
Production Manager: Maria Repousi
Editing: Christos Massalas
Original music: Σtella
Costume Design: Marli Aliferi
Make-up: Ioanna Lygizou
Sound: Dimitris Kanellopoulos, George Ramantanis
Produced by: Christos Massalas
Co-produced by: Giorgos Karnavas, Konstantinos Kontovrakis
Running time: 14’
Country of production: Greece
Supported by the Greek Film Centre (GFC)


Euro Connection is the European Short Film Co-production Forum taking place each year at the Clermont-Ferrand Short Film Market. This business platform aims at fostering partnerships between European production companies for short film projects.


The next edition of Euro Connection will take place on Tuesday 5 and Wednesday 6 February 2019 during the Clermont-Ferrand Short Film Market. Euro Connection is organised by Sauve Qui Peut le Court Métrage (Clermont-Ferrand) in association with the Centre National du Cinéma et de l’Image Animée, with the support of the Creative Europe MEDIA sub-programme and the PROCIREP.


What is Euro Connection?

Each year 13 short film projects are selected across Europe to participate in Euro Connection. The producers of the selected projects are invited to present their projects to an audience of potential co-producers. The invitation includes a travel grant, hotel accommodation, meals and a free accreditation to the Short Film Market in Clermont-Ferrand.

The selected projects are described in the Book of Projects and Producers, with a profile of their authors and producers. Its online publication (mid-January) is announced to European producers, broadcasters, fund representatives and financial backers registered to Clermont-Ferrand, who are invited to secure attendance to the pitching sessions during Euro Connection.

The event revolves around:

- Pitch training workshop (Monday 4 February 2019).

- Pitching sessions (Tuesday 5 February).

- Facilitated networking for producers and participants.

- One-on-one business meetings (Wednesday 6 February).

150 industry delegates take part in Euro Connection each year.

So far, 80 films were completed, including 39 European co-productions as a direct result from the first nine editions of Euro Connection.

Producers officially located in one of the associated countries must send their application by email to the national correspondent in their country no later than October 20, 2018 (more info, eligibility criteria, entry form and contacts here).


Funding of Development Projects for Feature Films

by the South Eastern Europe Cinema Network (SEE)


The Greek Film Centre (GFC) announces that the South Eastern European Cinema Network (SEE) launches a contest between its member states for the funding of Development Projects for Feature Films.

In its next meeting, to be held this coming October 2018, the Network will examine the submitted proposals and select the best among them to be funded.


Interested parties may obtain application forms and the analytical regulation here.

Applications must be sent to This email address is being protected from spambots. You need JavaScript enabled to view it. & This email address is being protected from spambots. You need JavaScript enabled to view it..

Deadline: September 17, 2018 & time: 11.00 (EEST)

For further clarification or information, please call +30210 3678501.


The Greek Film Centre is currently recruiting for a full-time Head of the Creative Europe Media Desk Greece, based in Athens.  

The Officer will promote the MEDIA sub-programme, provide assistance to potential applicants for Creative Europe funding, and design and deliver a variety of events. The candidates should have excellent command over the Greek and the English language (both oral & written). Find out more here (in Greek).

Applications must be sent to This email address is being protected from spambots. You need JavaScript enabled to view it..

Deadline: September 10, 2018 & time: 16.00 (EEST)
A confirmation email will be sent once the application is received.

Highly successful was the recce organized by the Hellenic Film Commission of the Greek Film Centre (GFC) for the feature film The Giaour from the United Kingdom. Many film commis-sions invite producers to do their initial recce/location search in their countries for attracting foreign audiovisual productions. The executive producer of the film had recently made a simi-lar trip to Spain for the same reason.

Read more here

The Ink Factory, AMC and BBC’s mini series THE LITTLE DRUMMER GIRL wraps filming in Greece



© 2018 The Little Drummer Girl Distribution Limited. All rights reserved.

The Little Drummer Girl, the most prestigious international production recently produced in Greece, has completed filming after 24 shooting days. Both a thriller and a love story, the TV series weaves a complex tale of espionage and international intrigue, love and betrayal. It is based on the novel by legendary writer John le Carré and directed by highly-acclaimed Park Chan-wook (The Hand-maiden, Old Boy). Produced by The Ink Factory (The Night Manager, Hotel Artemis) and co-produced by BBC and AMC, The Little Drummer Girl stars Florence Pugh (Lady Macbeth), Alexander Skarsgård (Big Little Lies, True Blood, Tarzan) and Michael Shannon (Nocturnal Animals, Revolutionary Road, The Shape of Water). The series is being sold worldwide by Endeavor Content.

"It has been an incredible experience to film ‘The Little Drummer Girl’ in the very locations de-scribed in John le Carré's book. The immense privilege of shooting at such historically and cultur-ally important places such as the Acropolis or Temple of Poseidon cannot be understated. Greece, as the birthplace of Western drama, offers filmmakers a canvas of unique resonance and, for me, it is the perfect place to tell the story of Charlie (Pugh)", says director Park Chan-wook, describing his experience of filming in Greece.

"The variety and scope of filming locations available in Greece has made it the perfect place in which to bring ‘The Little Drummer Girl’ to life. We were able to shoot not only extraordinary scenes set in Greece, but scenes set in the Lebanon, Israel, Yugoslavia (as it then was) and Rome as well. The stunning locations we were able to choose would have justified coming to Greece under almost any circumstances, but on top of that, the generous support of numerous arms of government, and the highly-talented crew and support team at our wonderful partners Faliro House, has made the shoot one to remember and repeat”, notes executive producer and The Ink Factory co-CEO Simon Cornwell.

The production service company in Greece is Faliro House Productions S.A. The crew while film-ing in Greece consisted of 165 core Greek crew members and 98 crew members from the UK.

The Little Drummer Girl was shot in the following locations in Greece: Athens, Elefsina, Kinetta, the Acropolis and the Temple of Poseidon in Sounio. All Greek locations were used to showcase Greece/Athens, whereas Elefsina was used to represent Lebanon and Nikaia/Athens was used as Palestine.

The Hellenic Film Commission of the Greek Film Centre supported the production by facilitating the filming permits for the archaeological sites (Acropolis, Temple of Poseidon-Sounion) requested for filming.